How it works
Four agents do the work. Your studio keeps every decision.
A production moves left to right through the same ten stages every time. Each stage has a gate: what is still missing, what is waiting for a decision, and what it will cost to go on. The agents propose; people approve.
The agents
- Showrunner — breaks the story down
- Writer — writes and revises pages
- Director — blocks, shot-lists, prompts
- Reviewer — scores every take, 1–10
| Stage | You | The platform | The gate reads |
|---|---|---|---|
| 01 Story | Paste a premise, a synopsis or a whole screenplay. Choose format, aspect, language, style. | The Showrunner returns the episode list (episodes, parts, scenes) and a synopsis for each one. | Break into blocks → |
| 02 Bible | Read the characters, locations, props and effects; fix a description, drop what you don't need. | Every asset is described once, with a reference the rest of the production points back to. | 27/27 described |
| 03 Cast | Give each role a face and a voice, from your roster or ours. | Rights are checked before anything is made — likeness, voice, cloning, territory and dates. | 4 of 5 roles cast |
| 04 Script | Set a target runtime per episode. Ask the Writer for changes in plain words, or edit the pages yourself. | Screenplay pages per episode with scene rows, measured against target; every version kept, with a diff. | 4:52 measured · target 5:00 |
| 05 Blocks | Approve the block plan and its shot lists. | The Director cuts pages into ~30-second blocks — shot list, dialogue, assets in frame — never crossing a scene. | 15 blocks · 3:40 planned |
| 06 Images | Approve one plate per asset (or a variant). For live-action styles, cast real faces from the talent bank. | Plates are generated from the bible, then registered with the video model's library so identities hold from take to take. | 46/46 ready |
| 07 Audio | Approve each recorded line, in every language you are making. | Every line is generated in the cast voice, padded and registered, so the cut carries the real performance. | Generate 45 lines · ~₹63 |
| 08 Videos | Read the prompt for a block, then press Generate (the price is on the button) and approve, retake or revise. | One take at a time, referenced to your plates and lines. The Reviewer scores fidelity and performance and proposes the next prompt. | Generate 1 take · ₹127.71 |
| 09 Cut | Assemble the film and watch it end to end. | Assembly runs in your browser — approved takes, title cards, cast recordings mixed in and the model's re-voicing muted. Cuts are free. | Film approved · 6:05 |
| 10 Reports | Send the client a review link by email or WhatsApp; approve the final. | Pitch, treatment, script, storyboard and cost reports build from the same data, watermarked and shareable. | Send for review → |
01
Story
You
Paste a premise, a synopsis or a whole screenplay. Choose format, aspect, language, style.
The platform
The Showrunner returns the episode list (episodes, parts, scenes) and a synopsis for each one.
The gate reads
Break into blocks →02
Bible
You
Read the characters, locations, props and effects; fix a description, drop what you don't need.
The platform
Every asset is described once, with a reference the rest of the production points back to.
The gate reads
27/27 described03
Cast
You
Give each role a face and a voice, from your roster or ours.
The platform
Rights are checked before anything is made — likeness, voice, cloning, territory and dates.
The gate reads
4 of 5 roles cast04
Script
You
Set a target runtime per episode. Ask the Writer for changes in plain words, or edit the pages yourself.
The platform
Screenplay pages per episode with scene rows, measured against target; every version kept, with a diff.
The gate reads
4:52 measured · target 5:0005
Blocks
You
Approve the block plan and its shot lists.
The platform
The Director cuts pages into ~30-second blocks — shot list, dialogue, assets in frame — never crossing a scene.
The gate reads
15 blocks · 3:40 planned06
Images
You
Approve one plate per asset (or a variant). For live-action styles, cast real faces from the talent bank.
The platform
Plates are generated from the bible, then registered with the video model's library so identities hold from take to take.
The gate reads
46/46 ready07
Audio
You
Approve each recorded line, in every language you are making.
The platform
Every line is generated in the cast voice, padded and registered, so the cut carries the real performance.
The gate reads
Generate 45 lines · ~₹6308
Videos
You
Read the prompt for a block, then press Generate (the price is on the button) and approve, retake or revise.
The platform
One take at a time, referenced to your plates and lines. The Reviewer scores fidelity and performance and proposes the next prompt.
The gate reads
Generate 1 take · ₹127.7109
Cut
You
Assemble the film and watch it end to end.
The platform
Assembly runs in your browser — approved takes, title cards, cast recordings mixed in and the model's re-voicing muted. Cuts are free.
The gate reads
Film approved · 6:0510
Reports
You
Send the client a review link by email or WhatsApp; approve the final.
The platform
Pitch, treatment, script, storyboard and cost reports build from the same data, watermarked and shareable.
The gate reads
Send for review →Autopilot, with breaks
Let it run the whole production up to a budget you set. It stops at every gate that needs a human — a prompt the Reviewer would not pass, a voice that fails moderation, a take below your score threshold — and tells you what it spent.
Your keys or ours
Run on prepaid credits (provider cost plus a 25 % platform fee) or bring your own model keys and pay the providers directly. Either way, every run is itemised per workspace and per provider, and reconciled nightly.